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As waves of immigrants swell the population of New York, lawlessness and corruption thrive in Manhattan’s Five Points section. After years of incarceration, young Irish immigrant Amsterdam Vallon returns seeking revenge against the rival gang leader who killed his father. But Amsterdam’s personal vendetta becomes part of the gang warfare that erupts as he and his fellow Irishmen fight to carve a place for themselves in their newly adopted homeland!

In a place soon to be known as The Valley of Death, in a small clearing called landing zone X-Ray, Lt. Colonel Hal Moore (Mel Gibson) and 400 young fathers, husbands, brothers, and sons, all troopers from an elite American combat division, were surrounded by 4,000 North Vietnamese soldiers. The ensuing battle was one of the most savage in U.S. history. We Were Soldiers Once…And Young is a tribute to the nobility of those men under fire, their common acts of uncommon valor, and their loyalty to and love for one another.

Ten years ago some of the worst atrocities in the history of mankind took place in the country of Rwanda–and in an era of high-speed communication and round the clock news, the events went almost unnoticed by the rest of the world. In only three months, one million people were brutally murdered. In the face of these unspeakable actions, inspired by his love for his family, an ordinary man summons extraordinary courage to save the lives of over a thousand helpless refugees, by granting them shelter in the hotel he manages.

The Roman Empire is stretched across many nations, including Britain. In their conquest for more land, the Romans went into Sarmatia where they fought the very brave Sarmatian cavalery. The Romans, impressed by the Sarmatian’s weaponery and fighting skills, included them into their army as knights. After 15 years of serving and fighting for the Roman Empire the Sarmatian Knights, lead by Arthur/Artorious Castus, are about to receive their freedom as the Romans are leaving Britain. But the Knights must carry out one final order before they are free. A Roman priest and his family, especially his son Alecto, must be rescued from the invading Saxons. But there is another danger lurking on the road to freedom - the Woads, British rebels who hate the Romans.

Inspired by true events, THE CHILDREN OF HUANG SHI is a portrayal both sweeping and intimate of people who, thrown into an unexpected and desperate situation, discover their capacity for love and responsibility. It tells how a young Englishman, George Hogg came to lead sixty orphaned boys on an extraordinary journey of almost a thousand perilous miles across the snow-bound Liu Pan Shan mountains to safety on the edge of the Mongolian desert. And of how, in doing so, he came to understand the true meaning of courage. During his journey, Hogg learns to rely on the support of Chen, the leader of a Chinese partisan group who becomes his closest friend. He soon finds himself falling in love with Lee, a recklessly brave Australian adventurer whom war has turned into an unsentimental nurse on horseback. Along the way Hogg befriends Madame Wang, an aristocratic survivor who has also been displaced by war, who helps the young Englishman, his friends and their sixty war orphans make their way across awesome (and rarely filmed) mountain and desert regions to a place of safety near the western end of the Great Wall of China.

Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein’s _The Battleship Potemkin_.

A sumptuous and sensual tale of intrigue, romance and betrayal set against the backdrop of a defining moment in European history: two beautiful sisters, Anne and Mary Boleyn, driven by their family’s blind ambition, compete for the love of the handsome and passionate King Henry VIII.

With the 400th anniversary of Rembrandt’s birth in 2006, NIGHTWATCHING is truly a feast for the senses. Extravagant, suspenseful and sensuously beautiful, the mystery behind the extraordinary artist’s infamous painting is perfectly explored by one of the most iconic Directors of our time - Peter Greenaway. The year 1642 marks the turning point in the life of the famous Dutch painter, Rembrandt, turning him from a wealthy respected celebrity into a discredited pauper. At the insistence of his pregnant wife Saskia, Rembrandt has reluctantly agreed to paint the Amsterdam Musketeer Militia in a group portrait that will later become to be known as The Nightwatch. He soon discovers that there is a conspiracy afoot with the Amsterdam merchants playing at soldiers maneuvering for financial advantage and personal power in, that time, the richest city in the Western World. Rembrandt stumbles on a foul murder. Confident in the birth of a longed-for son and heir, Rembrandt is determined to expose the conspiring murderers and builds his accusation meticulously in the form of the commissioned painting, uncovering the seamy and hypocritical side to Dutch Society in the Golden Age. Rembrandt’s great good fortune turns. Saskia dies. Rembrandt reveals the accusation of murder in the painting and the conspirators plan revenge. They set out to discredit him at home and abroad. They plant a treacherous mistress, Geertje, to seduce him. They try to blind him. They plan his social and financial ruin, and to create the circumstances for his slide into penury, insult his young mistress Hendrickje, conspire to destroy his son, and bring Rembrandt to his knees. The bold and courageous painting of the Nightwatch, exceptional in aesthetics and content, is Rembrandt’s most celebrated painting, it consolidated his reputation as a master-painter but it also destroyed him socially and financially.

Nearly a decade after Cate Blanchett drew the attention of audiences and critics alike with ELIZABETH, the Oscar-winning actress returns to the role of the Virgin Queen. Though the protestant ruler has been on the throne for decades in 1585, Elizabeth I’s reign is still under attack from both inside her country and from the continent. Her cousin, Mary, Queen of Scots (Samantha Morton), carries the favour of the nation’s Catholics as she schemes for the throne from prison, while Spain’s King Philip II (Jordi Molla) plots an invasion with the power of his famous armada. But Elizabeth is also concerned with the arrival of Sir Walter Raleigh (Clive Owen), a charming pirate and adventurer. Unable to reconcile her feelings with her crown, she encourages Bess (Abbie Cornish), her beloved lady-in-waiting, to pursue a relationship with Raleigh.
Nine years haven’t dulled Blanchett’s ability to play this—or any other—character with an impressive range of fire and tenderness. Her chemistry with the infinitely watchable Owen is one of the film’s highlights. As in ELIZABETH, director Shekhar Kapur doesn’t restrict himself from using artfully constructed shots that aren’t normally used in period dramas. It’s a modern retelling of history, and Kapur and his director of photograpy, Remi Adefarasin, aren’t content to let the film have the standard look of many films in the genre. Costume designer Alexandra Byrne follows the same logic, creating stunning dresses for Elizabeth that draw inspiration both from modernity and the time period. If Blanchett weren’t such a gifted actress, the gorgeous costumes might threaten to overtake her as the star of the film.

In an era when Americans were in great need of heroic figures to help them forget their troubles, SEABISCUIT comes to the rescue. The picture relates a moving story of friendship and devotion in rehabilitating the main characters’fractured lives, as it interweaves the interactions between horse, jockey, trainer and owner and their adoring fans. The film accurately portrays the real people and events of those troubled times and how Seabiscuit “fixed us, every one of us.”