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Adela Quested, a young Englishwoman, travels to India in the late 1920s to visit her fiancé, a British magistrate posted in a small town; her traveling companion is his mother Mrs. Moore. They want to see something of the country and to meet everyday Indians, but are frustrated by the British community’s insistence that relations with the locals are best experienced from a distance. Finally, a friend introduces them to a Muslim doctor whom Mrs. Moore had seen briefly on her visit to a mosque. He takes them on an outing to the nearby caverns (a local attraction), but what happens there threatens to destroy any civility between the British and Indian societies.

Film adaptation of the beloved Broadway musical. Concerns itself with Dolly Levi, a New York-based matchmaker who merrily arranges things… like furniture and daffodils and lives. A widow, she has found herself in love with a “half-a-millionaire” Yonkers merchant named Horace Vandergelder. So she proceeds to weave a web of romantic complications involving him, his two clerks, a pretty milliner and her assistant. Eventually, of course, all is sorted out, and everyone ends up with the right person.

Music teacher Christine Radcliffe thought Karel Novak to have been killed in the war. She loves him more than ever and insists they marry. At their reception her benefactor and former lover offers Karel the chance to solo his new cello concerto. Hollenius torments Christine and she shoots him. The concert is a success and Karel promises to stand by Christine.

Film version of the stage musical, based on the stories of Sholom Aleichem. Tevye the Milkman is a Jewish peasant in pre-Revolutionary Russia, coping with the day-to-day problems of ’shtetl’ life, his Jewish traditions, his family (wife and daughters), and state-sanctioned pogroms.

Immigrant radical Bartolomeo Romagna is falsely condemned and executed for a payroll robbery. Years later, his son Mio sets out to find the truth of the crime and to bring to account the gangster Trock Estrella.

On the eve of World War II, a British officer revisits Waterloo Bridge and recalls the young man he was at the beginning of World War I and the young ballerina he met just before he left for the front. Myra stayed with him past curfew and is thrown out of the corps de ballet. She survives on the streets of London, falling even lower after she hears her true love has been killed in action. But he wasn’t killed. Those terrible years were nothing more than a bad dream is Myra’s hope after Roy finds her and takes her to his family’s country estate.

Catherine The Great had been portrayed by Mae West, Elizabeth Bergner, Marlene Dietrich, and Pola Negri. She lived to be 67 years old. Amazing, if we are to believe her amorous ways. Lubitsch was to have directed this, but he became ill and the reins were handed to Preminger, with Ernst looking over his shoulder and making sure that Otto’s customary heavy hand was somewhat lightened. The ancient Biro/Lengyel play “Czarina,” which had been used as the basis for other movies about the Russian queen, was adapted this time by Mayer and Frank, veteran screenwriters who knew what they were doing. To Bankhead’s St. Petersburg castle comes Eythe, a young cavalry officer who has ridden for days to tell her of a coup planned by two generals. Eythe admits that he has plenty of energy left despite the travel, so Bankhead requests that he return later that night for a “private interview.” Eythe is handsome, albeit a bit sappy, but he must have some ability in the lovemaking department, because his rise to the rank of general is rapid. Eythe is soon in love with Baxter, a virginal woman who is a lady in waiting. Bankhead falls hard for Eythe, and, when she learns that he is affianced to Baxter, the young woman is sent away. Eythe is heartbroken but still owes allegiance to his queen, so he helps overcome the plot to dethrone her. Bankhead is so happy at what he’s done, she allows Eythe and Baxter to reunite while she finds new thrills in the arms of Price, the French ambassador. With all of the sleeping around Bankhead does, it’s a wonder any state business ever got done in the years when Catherine was Great. A few laughs, but Bankhead chews up the scenery and the pacing is off a beat. Lubitsch had filmed this as FORBIDDEN PARADISE in 1924.

Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.

London, 1903: four lads, three women, and J.M. Barrie in the year he writes “Peter Pan.” After one of his plays flops, Barrie meets four boys and their widowed mother in the park. During the next months, the child-like Barrie plays with the boys daily, and their imaginative games give him ideas for a play. Simultaneously, a friendship deepens with Sylvia, the lads’ mother, to the chagrin of his wife Mary, with whom he spends little time (separate bedrooms), the widow’s mother, and high society, which gossips about his attraction to the widow and to her sons. As Sylvia’s health worsens, Barrie’s ties to the boys strengthen and he must find a way to take his muse to Neverland.

Set on a colorful Greek island, the plot serves as a background for a wealth of great ABBA songs which are used in remarkably appropriate ways. A young woman about to be married discovers that any one of three men could be her father. She invites all three to the wedding without telling her mother, Donna, who was once the lead singer of Donna and the Dynamos. In the meantime, Donna has invited her backup singers, Rosie and Tanya.