A woman named Grace (Kidman) is living with her two children Anne and Nicholas (Mann and Bentley) on an almost empty island in their huge mansion. Grace’s husband is a soldier in WWII and Grace has given her husband up for dead. Everything seems peaceful for her, but when three mysterious servants are given jobs at the house, terrifying secrets are unlocked that even Grace cannot handle.
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A God-fearing bluesman (Jackson) takes to a wild young woman (Ricci) who, as a victim of childhood sexual abuse, looks everywhere for love, never quite finding it.
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The death of a child in mysterious circumstances; sparks of a series of events that seem to represent biblical plagues, start occurring in of all places a town called *Haven* located deep in the bowels of bible belt country in the bayous of Louisiana. A former Christian missionary turned religious phenomena debunker and her top open minded student turned personnel assistant is sent to investigate.
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On September, 11th 2001, after the terrorist attack to the World Trade Center, the building collapses over the rescue team from the Port Authority Police Department. Will Jimeno and his sergeant John McLoughlin are found alive trapped under the wreckage while the rescue teams fight to save them.
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Sam Bowden is a small-town corporate attorney/”Leave It to Beaver”-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, psychotic rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady’s rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.
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In 2006, in Red River, Tennessee, a teenager has frequent nightmares. Her mother reads an old letter from 1817 written by her ancestor, Lucy Bell. After a dispute of lands judged by the church, her husband John Bell is cursed by his opponent Kathe Batts, who has a fame of being a witch. From this moment on, an entity threatens John and her daughter Betsy Bell, attacking the girl during the nights. With the support of Betsy’s school teacher Richard Powell, who tries to find rational explanations for the manifestation; her brother John Bell Jr.; and their friend James Johnston, who unsuccessfully tries to exorcize the entity from the house, the family does their best to protect Betsy in the haunted house.
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Tom Canboro is a police detective with a Christian sister, Eileen, a brother, Calvin, a wife, Susan, and eccentric brother-in-law, Jason. One night, Jason seemingly goes insane and tries to kill Eileen, calling her a “hater”. Tom soon realises this may be a conspiracy going as far as devil worship, but as he speeds in his car to get help, he suddenly looses control and crashes. Waking up in a strange hospital, he finds years have passed and people all over the world are wearing the mark of 666 on their right hands, and all those who don’t are being killed off. Franco Macalusso, the believer in world peace Jason was fond of, now controls the world, and is trying to bring the world together as it was at the tower of Babel. Meanwhile, the “Haters” or Christians are hiding out and airing TBN tapes on the air for people to realise the Messiah is really the Antichrist, but their leader, Helen Hannah, is arrested…
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Magnolia is the study of nine lives in one day in San Fernando Valley, California. These nine lives all connect and revolve around the game show “What Do Kids Know?”(WDKK), where a team of three kids play against adults and everytime the show is on, there is a new team of adults and the kids remain; if they won the previous game. Earl Partridge (the late Jason Robards) produced “WDKK” when it was first on in the late 60s. He is dying of brain and lung cancer and is being taken care of by Phil Parma (Philip Seymour Hoffman), a male nurse. Linda, Earl’s trophy wife (Julianne Moore) starts to fall in love with Earl for real, despite her cheating. Earl, rapidly dying on his bed, asks Phil to find his estranged son, Frank T.J. Mackey (Tom Cruise), who grew up hating Earl and now runs a seminar for single men, which teaches them how to seduce a woman and leave her… The host of “WDKK”, Jimmy Gator (Philip Baker Hall), is also dying, but not as rapidly as Earl. He has a very rocky relationship with his daughter Claudia (Melora Waters), who sniffs crack 24/7 and accuses her father of sexually molesting her. Police Officer Jim (John C. Reilly) goes to Claudia’s house after getting called about a disturbance. He falls in love with her right away… Stanley Specter (Jeremy Blackman) is a contestant on “WDKK”, who is a genius and is being used by his father to make money. If Stanley and his team keep winning, they will set a record on the show and get tons of money. The record Stanley is trying to beat is the 1968 record set by Donnie Smith (William H. Macy), who had the exact same childhood when he was on the show and has now grown up to be a pathetic loser. He’s been recently fired from his job, and is trying to find his way into happiness…
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Can love release our true self? A wealthy Cuban coffee exporter, Luis Vargas, advertises for a US wife; Julia Russell, from Delaware, sends her photograph, but the woman who steps off the ship is much lovelier. Luis marries her immediately and gives in to love. But Julia may not be who she claims: first a private eye shows up on behalf of Julia’s sister, then the sister herself. By now, Luis has given has wife access to bank accounts, and when she runs with his cash, he pursues her, with the help of Downs, the P.I., perhaps to kill her. Pursuit may be part of a con game as well, and Julia’s past explains some, if not all, of what remains of the story. A priest hears her confession.
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Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They’re all rather tight, or so they claim. But they spend precious little time together and none of them seems to know much about one another’s family lives. This bizarre dichotomy underscores their alienation # the result of suburban ennui, a teenager’s inherent sense of melodrama, and the disturbing nature of their home environments.
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