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The path of Francesca Johnson’s future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Iowa state fair in the Summer of 1965, Robert Kincaid happens upon the Johnson farm and asks Francesca for directions to Rosamunde Bridge. He explains that he is on assignment from National Geographic magazine to photograph the bridges of Madison County. She agrees to show him to the bridges and thus begins the bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes down the story of this four-day love affair in a 3-volume diary. The diary is found by her children among her possessions and alongside Robert Kincaid’s possessions after Francesca is dead. The message they take from the diaries is one of hope that they will do what is necessary to find happiness in their lives — whatever is necessary. After learning that Robert Kincaid’s cremated remains were scattered off Rosamunde Bridge and that their mother requested a similar disposition for her own ashes, the children must decide whether to honor their mother’s final wishes or bury her alongside their father as the family had planned. Adapted from the novel by Robert Waller, this is the story of love that happens just once in a lifetime — if you’re lucky.

Frank Quinlan and Huey Driscoll, two reporters from a Chicago-based tabloid, along with Dorothy Winters, an ‘angel expert’, are asked to travel to rural Iowa to investigate a claim from an old woman that she shares her house with a real, live archangel named Michael. Upon arrival, they see that her claims are true - but Michael is not what they expected: he smokes, drinks beer, has a very active libido and has a rather colourful vocabulary. In fact, they would never believe it were it not for the two feathery wings protruding from his back. Michael agrees to travel to Chicago with the threesome, but what they don’t realise is that the journey they are about to undertake will change their lives forever.

Bobby Eroica Dupea (Jack Nicholson) comes from a well-bred family of musicians, and once showed great promise as a concert pianist. By nature a restless, angry individual, Bobby left his family and his music when he could no longer endure the dull, cloistered routine of daily practice. He took to the road, wanting to “see the world,” and hopefully find something or someone to quell his inner turmoil. He has settled in a small town as an oil rigger, where his life consists of going to work, arguing with his dimwitted but loving girlfriend Rayette (Karen Black), and bowling every night with his friend Elton (Billy “Green” Bush). Not surprisingly, this routine begins to disgust Bobby and, fed up, he decides to travel to Puget Sound, Washington to pay his family a visit. Leaving Rayette at a nearby motel, Bobby goes home and is reunited with his family.

Six criminals, who are strangers to each other, are hired by a crime boss Joe Cabot to carry out a diamond robbery. Right at the outset, they are given false names with an intention that they won’t get too close and concentrate on the job instead. They are completely sure that the robbery is going to be a success. But when the police show up right at the time and the site of the robbery, panic spreads amongst the group members and one of them is killed in the subsequent shootout along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.

A mythic motorcycle tale of father and son”, this is the story of Manuel Galloway (Fishburne), also known as “the King of Cali”, the president of a motorcycle club whose members are all African-American men, mostly white-collar workers who exchange their suits and ties at night and on weekends for leather outfits and motorcycle helmets. The focus of this story takes place at an annual drag-racing event in Fresno, as Manuel tries to retain his championship title.

Xander Cage is your standard adrenaline junkie with no fear and a lousy attitude. When the US Government “recruits” him to go on a mission, he’s not exactly thrilled. His mission: to gather information on an organization that may just be planning the destruction of the world, led by the nihilistic Yorgi.

Henry Roth (Sandler) is a veterinarian living in Hawaii who enjoys the company of vacationing women. He leaves the playboy life behind after he falls for Lucy (Barrymore), who suffers from short-term memory loss. Since she can never remember meeting him, Henry has to romance Lucy every single day and hope that she falls for him.

This is the story of three gentle persons: Paul Rivers (Penn) an ailing mathematician lovelessly married to an English emigré (Gainsbourg), Christina Peck, an upper-middle-class suburban housewife, happily married and mother of two little girls, and Jack Jordan (Del Toro), an ex-convict who has found in his Christian faith the strength to raise a family. They will be brought together by a terrible accident that will change their lives. By the final frame, none of them will be the same as they will learn harsh truths about love, faith, courage, desire and guilt, and how chance can change our worlds irretrievably, forever.

The Hoover family is the dictionary definition for the word “dysfunctional”. The dad Richard is a man who gives lectures on winners and losers, the wife is Sheryl, a chain-smoking, frazzled wife and working mother whose idea of a home cooked meal frequently consists of a bucket of chicken. Her gay brother Frank recently attempted suicide. The grandpa is Edwin, a drug addict. The son is Dwayne a rebel who has vowed not to talk until he gets into the Air Force. And then there is Olive, a seven-year old girl who dreams of going to the Little Miss Sunshine pageant. So what happens when they do?

A weather man is reluctantly sent to cover a story about a weather forecasting “rat” (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the ‘following’ day he discovers that it’s Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing EVERY day.