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Based on the S.E. Hinton novel of the same name. The tension between two groups: The Greasers and The Socials “Socs” puts Ponyboy Curtis (Howell) and his best friend Johnny Cade (Macchio) in a bad spot. One night at the movies, Ponyboy and Johnny fall in love with Sherri “Cherry” Valance (Lane) and Marcia (Meyrink) once they get Dally Winston (Dillon), the toughest and meanest of the Greasers to stop attempting to “score” Cherry and Marcia. What Johnny and Ponyboy don’t know is that Cherry and Marcia are girls for the snobbish, popular, and rich group, the Socs. Once Johnny kills Bob Sheldon (Garrett), the toughest and meanest member of the Socs, this begins as the Socs demand a rumble against the Greasers.

Truman Capote wrote the ‘non-fiction novel’ from which the film is drawn, using the novelist’s craft to render reality. The reality was that at two a.m. on November 15, 1959 in the rural town of Holcomb, Kansas, the four members of the Clutter family were roused from their sleep, bound and gagged, and then brutally murdered by two unknown assailants. After the latters’ capture, sentencing and imprisonment prior to execution, Capote researched the case thoroughly, spent weeks talking with the prisoners, Perry Smith and Richard Hickock, jurors, police, friends and neighbors, trying to unearth why such a senseless act was committed, and what society’s response might have been.

One week before her sex-change operation, Bree receives a call from a 17-year-old identifying himself as her son from a college liaison. Bree’s psychiatrist won’t approve the surgery until Bree deals with this relationship, so Bree flies to New York City, bails the youth out of juvenile detention, and offers him a ride back to Los Angeles without disclosing that she is his father. Both her plans and his go awry, and as secrets will out, what might become a friendship (or more) founders. The lad’s step-father, a sex-change support group, a peyote eater, a Navajo wrangler, and Bree’s family all play their parts in this exploration of family, gender, and expectations.

A young man with a talent for music has begun a career with much promise. He meets an aspiring singer, Apollonia, and finds that talent alone isn’t all that he needs. A complicated tale of his repeating his father’s self destructive behavior, losing Apollonia to another singer (Morris Day), and his coming to grips with his own connection to other people ensues.

In the Kilpatrick juvenile detention center, the supervisor and former football player Sean Porter sees the lack of discipline, self-esteem, union and perspective in the teenage interns and proposes to prepare a football team to play in one league. He is supported by his superiors and his successful experience changes the lives of many young kids.

A young teacher (Swank) inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school.

A happy young couple, Sarah and Tom (Brittany Murphy and Ashton Kutcher) marry against the wishes of Sarah’s friends and family and go to Europe for their Honeymoon. Unfortunately for them, Sarah’s parents send Sarah’s ex-boyfriend Peter Prentis (played by Christian Kane) to break up the happy marriage.

This film views the mob lives of three pivotal figures in the 1960’s and 70’s New York. Ray Liotta plays Henry Hill, a local boy turned gangster in a neighborhood full of the roughest and toughest. Joe Pesci plays Tommy Devito, a pure bred gangster, who turns out to be Henry’s best friend. Robert De Niro plays Jimmy Conway, the man who puts the two of them together, and runs some of the biggest hijacks and burglaries the town has ever seen. After an extended jail sentence, Henry must sneak around the back of the local mob boss, Paulie Cicero, played by Paul Sorvino, to live the life of luxury he has always dreamed of. In the end, the friends end up in a hell of a jam, and must do anything they can to save each other, and stay alive.

A young woman helping care for an invalid in New Orleans finds herself caught in the middle of morbid going-ons centered around a group of Hoodoo (Not Voodoo, it’s different. Hoodoo is an old African American magic that only works if you believe in it.) practitioners.

In this blend of the B movie classic The Blob (1958) and some Romero’s zombies film, a meteorite collides in a small town. Grant finds it, and is infected by a parasite worm, which installs in his brain and causes him a creepy transformation into a monster. Starla, his wife, and Bill, a policeman, will try to stop him and the plague of worms generated by the creature.