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Jackie Brown is the name of a flight attendant who gets caught smuggling her boss’ gun money on the airline she works for. Luckily for her, the Fed Ray Nicolet and the LA Cop Mark Dargus decide to team up in order to arrest the arms dealer she works for, whose name they don’t even know. Here’s when she has to choose one way: tell Nicolet and Dargus about Ordell Robbie (the arms dealer) and get her freedom -except that if Ordell suspects you’re talking about him, you’re dead- or keep her mouth shut and do some time. That’s when she meets Max Cherry -her bail bondsman-, a late fifties, recently separated, burnt-out man, who falls in love with her. Then Jackie comes up with a plan to play the Feds off against Ordell and the guys he works with -Louis Gara and Melanie Ralston, among others- and walk off with their money. But she needs Max’s help. No one is going to stand in the way of his million dollar payoff…

Tom Green plays Gord Brody, a slacker who dreams of becoming an animator for cartoon shows. He is forced to move back in with his parents, but then refuses to leave. Along the way, he sexually pleasures various farm animals, licks open flesh wounds, accuses his father of molesting his brother, goes scuba diving in a toilet, plays an organ with several sausages attached to it which are suspended in midair, and does a bunch of other stuff that is too insane, offensive, disgusting, or weird to be mentioned here.

An entrepreneurial criminal, Slim (Dorff) is as smart as they come. Cocky and confident, he assembles a team of risk-taking rush-seekers to pull off a series of five bank heists, each time using a different extreme sport to make the getaway. Following an unexpected windfall on only their second job, the gang nets $20 million in untraceable bonds. Having scored enough money to retire on, Slim and his crew decide to call the robbery game quits. But both the mob and the police have other plans in mind for Slim: they want him to keep working, for them.

When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. This gets Kate thinking back over her own various experiences, and to wondering if she is in much of a position to write on the subject.