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Based on Joseph Conrad’s Heart Of Darkness, this is a controversial addition to the multitude of Vietnam war movies in existence. Set in 1969 Vietnam, we follow U.S. Special Forces Captain Willard on his mission up a river into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe.

A powerful virus escapes from a British research facility. Transmitted in a drop of blood and devastating within seconds, the virus locks those infected into a permanent state of murderous rage. Within 28 days the country is overwhelmed and a handful of survivors begin their attempts to salvage a future, little realising that the deadly virus is not the only thing that threatens them.

Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving up to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him.

An unknown and lethal virus has wiped out five billion people in 1996. Only 1% of the population has survived by the year 2035, and is forced to live underground. A convict (James Cole) reluctantly volunteers to be sent back in time to 1996 to gather information about the origin of the epidemic (who he’s told was spread by a mysterious “Army of the Twelve Monkeys”) and locate the virus before it mutates so that scientists can study it. Unfortunately Cole is mistakenly sent to 1990, six years earlier than expected, and is arrested and locked up in a mental institution, where he meets Dr. Kathryn Railly, a psychiatrist, and Jeffrey Goines, the insane son of a famous scientist and virus expert.

A small VHS only video store faces foreclosure in a poor community. While watching the store for the owner, a blundering employee’s friend accidentally erases all of the tapes. In order to keep their blunder from becoming apparent, the duo of Mos Def and Jack Black begin remaking the films themselves using homemade special effects and outdated filming techniques.

Helen Lyle (Virginia Madsen) is writing a paper on urban legends when she hears about the Candyman (Tony Todd), who was once an ex-slave-turned-artist name Daniel Robitaille, who had an affair his client’s daughter. Robitaille’s right hand was sawn off, he was covered in honey, and stung to death by bees. If anyone says the word “Candyman” five times in a mirror, he’ll appear behind that person, a bloody hook as a replacement for his hand, and kill him. A series of unsolved murders is happening in the Cabrini Green projects and Helen is using this to help with her paper. The residents say the Candyman is to blame, but Helen doesn’t believe it. Until she meets the man with a hook for a hand. Now, he’s begun to murder her friends and no one believes her. Can Helen clear her name and stop the Canydman from killing anyone else?

The Monty Pyton team tells the life, death and resurrection (?) of Brian from Nazareth, an unwilling prophet who wants to free his land from the oppression of Rome. When Brian covers a huge wall with the writing “ROMANI ITE DOMUM” (Romans go home), a local revolutionary group begins to take him seriously…

A hip hop horror anthology of three tales of terror told by the Hound of Hell (Snoop Dogg) that revolve around the residents of an inner-city neighborhood whose actions determine where they will go in the afterlife.

Roland Rat, Margaret Thatcher; Rubik’s Cubes, the Royal Wedding; aerobics, skinheads… It’s 1983, and the schools are breaking up for summer. Shaun is 12 and a bit of a loner, growing up with his mum in a grim coastal town, his dad killed fighting in the Falklands War. On his way home from school where he’s been tormented all day for wearing flares, he runs into a group of skinheads, who against expectations turn out to be friendly and take him under their wing. Soon Shaun discovers parties, girls and snappy dressing, and finds some role models in Woody, Milky and the rest of the gang. But when an older, overtly racist skinhead returns home from prison, the easy camaraderie of the group is broken, and Shaun is drawn into much more uncomfortable territory. Based largely on his own experience as a youngster, this is Shane Meadows’ most mature and fully realised film. Handling the complexities of masculinity, violence and race with sensitivity and a lightness of touch, it’s hard to imagine a film that would better capture the mood of the time, or that could have any greater an understanding of the allure of being part of a gang.

Top London cop, PC Nicholas Angel (Pegg) is good. Too good. And to stop the rest of his team looking bad, he is reassigned to the quiet town of Sandford. He is paired with Danny Butterman (Frost), who countlessly questions him on the action lifestyle. Everything seems quiet for Angel, until two actors are found decapitated. It is address to as an accident, but Angel isn’t going to accept that, especially when more and more people turn up dead. Angel and Danny clash with everyone, whilst trying to uncover the truth behind the mystery of the apparent “acidents”.