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When five high school students, Andrew, John, Allison, Brian, and Claire, meet in detention one day. The principal wants them to write an essay, and they think they are in for a boring 8 hours of doing nothing. At first, they argue and hate each other, but after smoking some marijuana, they pour their hearts out to each other, and tell about their fears, secrets, and their deepest emotions, and problems.

This is a remake of Cyrano de Bergerac, one of the most celebrated plays of the French theater, written by Edmond Rostand. Instead of being set in 17th century France, “Cyrano” has been changed to “Charlie”, a fire chief in a small town in Washington. Roxanne, played by the beautiful Darryl Hanna, rents a house for the summer to look at comets and Charlie quickly falls for her. Charlie is intelligent, funny, and sensitive, but all his fine qualities are unfortunately overshadowed by his very large nose (”Excuse me, it that your nose or did a bus park on your face?”). Charlie’s friend, Chris, on the other hand, is quite attractive, but superficial and awkward with words, especially around women (he has a tendency to throw up a lot). Both men are enthralled with Roxanne, but she, in a shallow but predictable move, shows interest in the handsome Chris. Chris is tongue-tied around her — everything that comes out of his mouth is either vulgar or indecipherable. So he asks Charlie for help. Charlie, inspired, writes 3 love letters a day to Roxanne, unbeknownst to Chris. Charlie’s eloquent letters work, because Roxanne falls in love with Chris. But Chris can’t meet Roxanne’s expectations in person and he soon runs off with a waitress who is “pretty cute, too”.

When rivalry between the world’s best men’s figure skaters - sex addicted, improvisational Chazz Michael Michaels and germophobic, precise Jimmy MacElroy - breaks into a fight on the awards platform, they’re banned from the event for life. Three years later, desire for a gold medal and a careful reading of the rules lead them to compete as skating’s first male-male pair. Can they overcome mutual dislike, limited time to prepare, their coach’s secret past, and the dirty tricks of their main opponents, the Van Waldenberg siblings? The key to victory or defeat may lie in the attraction of the virginal Jimmy toward Katie, the Van Waldenbergs’ little sister.

Four middle-aged men decide to take a road trip from Cincinnati to the Pacific in order to get away from their lives which are leading them nowhere. Taking their motorcycles, these “Wild Hogs” tear up the road and eventually stop in New Mexico for a drink not knowing that the bar belongs to the “Del Fuegos”, a mean biker gang. When the Del Fuegos steal a bike that belongs to the Wild Hogs, the four men form a plan to steal their bike back.

John and Max are elderly men living next door to each other. They’re continuously arguing and insulting each other, and have been this way for over 50 years. One day, Ariel, moves into the street. Both men are attracted to her, and their rivalry steps up a gear.

L.A. in the early 1930’s: racism, poverty, and disease color the Bunker Hill neighborhood where Arturo Bandini, a lover of men and beasts alike, has arrived from Colorado to write the great Los Angeles novel. After six months and down to his last nickel, he orders a cup of coffee, served by Camilla Lopez, beautiful, self-possessed, and Mexican. Arturo gets advice, encouragement, and an occasional check from H.L. Mencken, so he keeps writing and he keeps seeing Camilla. But, he’s mean to her for no apparent reason, so the relationship sputters. A housekeeper from back East suggests a way out of his jealously and fears. “Camilla Bandini”: is it in the cards?

This film views the mob lives of three pivotal figures in the 1960’s and 70’s New York. Ray Liotta plays Henry Hill, a local boy turned gangster in a neighborhood full of the roughest and toughest. Joe Pesci plays Tommy Devito, a pure bred gangster, who turns out to be Henry’s best friend. Robert De Niro plays Jimmy Conway, the man who puts the two of them together, and runs some of the biggest hijacks and burglaries the town has ever seen. After an extended jail sentence, Henry must sneak around the back of the local mob boss, Paulie Cicero, played by Paul Sorvino, to live the life of luxury he has always dreamed of. In the end, the friends end up in a hell of a jam, and must do anything they can to save each other, and stay alive.

This Martin Scorsese film depicts the Janus-like quality of Las Vegas—it has a glittering, glamorous face, as well as a brutal, cruel one. Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 1970’s and ’80’s are revealed. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals. However, they each have a tragic flaw—Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence.

The Stone family unites in common cause when their favorite son brings his uptight girlfriend home for the Christmas holiday, with plans of proposing. Overwhelmed by the hostile reception, she begs her sister to join her for emotional support, triggering further complications.

After twelve years in prison, Walter arrives in an unnamed city, moves into a small apartment across the street from an elementary school, gets a job at a lumberyard, and mostly keeps to himself. A quiet, guarded man, Walter finds unexpected solace from Vickie, a tough-talking woman who promises not to judge him for his history. But Walter cannot escape his past. A convicted sex offender, Walter is warily eyed by his brother-in-law, shunned by his sister, lives in fear of being discovered at work, and is hounded by a suspicious local police officer, Detective Lucas. After befriending a young girl in a neighborhood park, Walter must also grapple with the terrible prospect of his own reawakened demons.