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This is the story of a mild-mannered bank clerk Stanley Ipkiss, who has just discovered a mysterious ancient green wooden mask by the sea that is inhabited by Loki, the Norse night god of mischief. But when Stanley puts on the mask, he transforms into an uncontrolled wacky-suited green-skinned cartoony manic superhero “The Mask” that does the craziest things and amazes people in search of justice and a good time too.

Fame hungry Roxie Hart dreams of a life on the Vaudville stage, and spends her nights jazzing it up in the bright lights of Chicago, continually hoping that she’ll find her lucky break, and be shot into 1920’s stardom, so able to flee her boring husband Amos. In awe of seductive club singer Velma Kelly (who is subsequantly arrested for the murder of her husband and sister - after discovering their affair), Roxie meets Fred Cassely a man who convinces her he can ‘make her showbiz career take off’. However after Roxie has undergone the ‘casting couch’ treatment, and Fred has had his wicked way with her, he reveals that he has no more connections in showbusiness than she does. This is the final straw for Roxie, and her constant anger at rejection explodes. She shoots Fred Cassely and kills him. Upon discovering her infidelity, Roxie’s husband Amos refuses to take the blame for the murder and Roxie is sent to jail, pending hanging. In jail she finally meets tabloid darling Velma Kelly, currently receiving huge media attention for the double murder she committed earlier in the tale. Sharing the clink with Velma, are a collection of other sly females, all awaiting trial for the murders of their own partners. Velma is aloof to Roxie, however the prison Warden Mrs Morton offers Roxie the opportunity of representation by slick Chicago lawyer Billy Flynn. Billy is more a showbiz P. R agent than a legal lawyer and minipulates the tabloids into thinking Roxie is no more than an innocent ‘good time girl’ who took the wrong path, than a scheming murderess. The tabloids go crazy for the new girl on the cell block, and Roxie finally becomes a star. However due to Roxie’s new found fame, Velma is forgotten about. She is forced to approach Roxie with an offer of a part in her Vaudville act (filling the gap left by her murdered sister), but Roxie turns down her offer flat, thinking she needs no support in topping the bill. However, just as Velma’s star fell, so does Roxie’s, when Go-to-hell Kitty arrives at the jail on a multiple murder charge, the press forget Roxie and now she and Velma are in the same boat. With one more trick up her sleave Roxie manages to bring the media attention back onto her, and her day in court arrives. Billy is now ready to play the ultimate showman!

Hurtling down the track, careening around, over and through the competition, Speed Racer is a natural behind the wheel. Born to race cars, Speed is aggressive, instinctive and, most of all, fearless. His only real competition is the memory of the brother he idolized-the legendary Rex Racer - whose death in a race has left behind a legacy that Speed is driven to fulfill. Speed is loyal to the family racing business, led by his father, Pops Racer, the designer of Speed’s thundering Mach 5. When Speed turns down a lucrative and tempting offer from Royalton Industries, he not only infuriates the company’s maniacal owner but uncovers a terrible secret-some of the biggest races are being fixed by a handful of ruthless moguls who manipulate the top drivers to boost profits. If Speed won’t drive for Royalton, Royalton will see to it that the Mach 5 never crosses another finish line. The only way for Speed to save his family’s business and the sport he loves is to beat Royalton at his own game. With the support of his family and his loyal girlfriend, Trixie, Speed teams with his one-time rival-the mysterious Racer X - to win the race that had taken his brother’s life: the death-defying, cross-country rally known as The Crucible.

Edward Walters, an auto mechanic, falls for the intelligent and beautiful Catherine Boyd. It is love at first sight. There is however a problem, she’s engaged to jerk James Moreland. Fortunately, Catherine’s uncle likes Ed, and with his friends they scheme to make Catherine fall for Ed. The comedy in this movie stems from the fact that Catherine’s uncle is none other than Albert Einstein, who’s portrayed as a fun loving genius, as are his mischievous colleagues, Nathan, Kurt and Boris.

A bored small-town girl and a small-time bank robber leave in their wake a string of violent robberies and newspaper headlines that catch the imagination of the Depression-struck Mid-West in this take on the legendary crime spree of these archetypal lovers on the run.

A gang of jewel thieves board an empty luxury liner in the South Seas to find that the crew and passengers have been killed by a monster that kills its victims and sucks the water from their bodies that looks like a mix of a giant squid and the monster from “Aliens”.

The crew of the Serenity is getting desperate. They have lain lower and lower to protect their doctor, Simon Tam (Sean Maher), and his telepathic traumatized little sister, River (Summer Glau), from the alliance, whom he rescued her from a year earlier. This has made getting jobs harder and now they are desperate. When they take River on a robbery during which Reavers (humans who have gone crazy and turned into cannibals) attack, Simon decides that its time to leave the crew of the Serenity for his and River’s safety. She then mutters “Miranda” and goes berserk and nearly shoots Capt. Malcolm Reynolds (Nathan Fillion), until her brother says the safety word to put her to sleep. Reynolds decides to take them back on board for safety, only now an alliance operative (Chiwetel Ejiofor) is on their tracks and making Reynolds determined to find out what “Miranda” is and what the Alliance is hiding.

When Waring Hudsucker, head of hugely successful Hudsucker Industries, commits suicide, his board of directors, led by Sidney Mussberger, comes up with a brilliant plan to make a lot of money: appoint a moron to run the company. When the stock falls low enough, Sidney and friends can buy it up for pennies on the dollar, take over the company, and restore its fortunes. They choose idealistic Norville Barnes, who just started in the mail room. Norville is whacky enough to drive any company to ruin, but soon, tough reporter Amy Archer smells a rat and begins an undercover investigation of Hudsucker Industries.

Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie’s arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate’s own invention. The Blake Edwards style of slapstick and song originated with this movie. A dedication to Laurel and Hardy appears at the beginning of the film. Edwards’ tribute to Stan and Ollie can be seen most clearly in the interaction between Professor Fate and his cohort Max, as well as in the operatic Pottsdorf pie fight.

Roslyn divorces Ray in Reno and then meets widower Guido. He likes her but introduces her to cowboy Gay, and those two fall in love. When she learns that Gay, Guido and Perce are going to turn wild horses (”misfits”) into dog food, she protests.