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Frequently cynical screenwriter Charlie Kaufman has just taken on a new assignment. That is, to adapt writer Susan Orlean’s “The Orchid Thief” into a screenplay, all of it based on the life of the eccentric John Laroche, an exotic plant collector based out of Florida. While his easygoing twin brother Donald, is writing scripts with ease, Charlie finds himself on a perpetual struggle that never seems to end.

STAB 3: RETURN TO WOODSBORO is currently in production, and a killer is on the loose cutting corners cast wise. The murders draw a reporter, ex-cop, and young woman to the set of the movie inspired by their life. They soon find out that they are dealing with a trilogy, and in a trilogy…anything can happen.

The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar, a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor. Hedley convinces him to send the town the first Black sheriff in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople.

The workaholic head of the compliance section of a New York bank flies to Monaco to investigate unusual deposits from an offshore bank and meets a down-on-his-luck international film star who has become embroiled in criminal activities.

Roger Rabbit is a cartoon character who (along with many others) exists along side of real humans. Eddy is a private eye who has seen better days and has been on the skids since the death of his brother at the hands of a Toon (cartoon character). Rogers’ boss hires Eddy to see if his sexy wife has other male interests, but things get out of hand as Roger is framed for murder with no one but the Toon hating Eddy to go to for help.

The story begins as “Don” Vito Corleone, the head of a New York Mafia “family”, oversees his daughter’s wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father’s business. Through Michael’s life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don’t want to follow the old ways and look out for community and “family”. An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don’s influence to further his plan. The clash of the Don’s fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family.

Set in the 1930s, this is the story of a young and beautiful actress Ann Darrow from the world of vaudeville who finds herself lost in depression-era New York and her luck changes when she meets an over-ambitious filmmaker Carl Denham who brings her on an exploratory expedition to a remote island where she finds compassion and the true meaning of humanity with an ape Kong. The beauty and the beast finally meet their fate back in the city of New York where the filmmaker takes and displays the ape in quest of his fame by commercial exploitation which ultimately leads to catastrophe for everyone including a playwright Jack Driscoll who falls in love with Ann and plays an unlikely hero by trying to save her from Kong and her destiny.

Glorious classic film musical. 1927: Don Lockwood and Lina Lamont are the darlings of the silent silver screen. Offscreen, Don, aided by his happy-go-lucky friend and piano accompanist, Cosmo Brown, has to dodge Lina’s romantic overtures, especially when he falls for chorus girl Kathy Selden. With the advent of sound in motion pictures, it is decided to turn Don and Lina’s new film into a “talkie” and a musical at that. The only problem is Lina’s voice, which mere words cannot describe. Thus, Kathy is brought on to dub her speaking and singing voice in secret, and Don’s on top of the world. But then Lina finds out…

The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress “Simone” to sub for the star—the first totally believable synthetic actress. The “actress” becomes an overnight sensation, with a major singing career as well, and everyone thinks she’s a real person. However, as Simone’s fame skyrockets, he cannot bear to admit his fraud to himself or the world.

The script begins as a young Hughes directs one of Scorsese’s favorite films, Hell’s Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn.