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Father Gabriel ascends the mountains of Brazil to bring christianity to the natives. He is successful and brings about a golden age among them. Mendoza, a slaver, kills his brother in a fit of rage, and only Fr. Gabriel’s guidance prevents his suicide. Gabriel brings Mendoza to work at his mission with the natives, and Mendoza finds peace and asks to become a priest. The church , under pressure, cedes the land to the Portuguese which will allow slavers in again. Mendoza breaks his vows and organizes the natives to resist while Gabriel warns him to help them as a priest.

Dead Man is the story of a young man’s journey, both physically and spiritually, into very unfamiliar terrain. William Blake travels to the extreme western frontiers of America sometime in the 2nd half of the 19th century. Lost and badly wounded, he encounters a very odd, outcast Native American, named “Nobody,” who believes Blake is actually the dead English poet of the same name. The story, with Nobody’s help, leads William Blake through situations that are in turn comical and violent. Contrary to his nature, circumstances transform Blake into a hunted outlaw, a killer, and a man whose physical existence is slowly slipping away. Thrown into a world that is cruel and chaotic, his eyes are opened to the fragility that defines the realm of the living. It is as though he passes through the surface of a mirror, and emerges into a previously-unknown world that exists on the other side.

Frequently cynical screenwriter Charlie Kaufman has just taken on a new assignment. That is, to adapt writer Susan Orlean’s “The Orchid Thief” into a screenplay, all of it based on the life of the eccentric John Laroche, an exotic plant collector based out of Florida. While his easygoing twin brother Donald, is writing scripts with ease, Charlie finds himself on a perpetual struggle that never seems to end.

Jack Crabb is about 100 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn.

A grizzly bear named Boog, domesticated by a park ranger, Beth, helps deer friend Elliot escape from the mullet-sporting hunter, Shaw. When the Elliot decides to return the favor to help Boog escape from Beth he finds that Boog is very happy with his domesticated home. After a misunderstanding, Beth is convinced that Boog is reverting to his wild nature and releases him in the woods just as hunting season begins. Boog has no idea how to survive outside of his garage home with his beloved Beth. Elliott and Boog develop a strong bond not only between themselves but also with the wild animals and attempt to drive the hunters out of the forest.

The US Army is under pressure from the desperate relatives of white prisoners of the Comanches to secure their rescue. A cynical and corrupt marshal, Guthrie McCabe, is persuaded by an army lieutenant to assist in the negotiations with the Comanches. However, just two captives are released; and their reintegration into white society proves highly problematic.

In the 1870s, Captain Nathan Algren, a cynical veteran of the American Civil war who will work for anyone, is hired by Americans who want lucrative contracts with the Emperor of Japan to train the peasant conscripts for the first standing imperial army in modern warfare using firearms. The imperial Omura cabinet’s first priority is to repress a rebellion of traditionalist Samurai -hereditary warriors- who remain devoted to the sacred dynasty but reject the Westernizing policy and even refuse firearms. Yet when his ill-prepared superior force sets out too soon, their panic allows the sword-wielding samurai to crush them. Badly wounded Algren’s courageous stand makes the samurai leader Katsumoto spare his life; once nursed to health he learns to know and respect the old Japanese way, and participates as advisor in Katsumoto’s failed attempt to save the Bushido tradition, but Omura gets repressive laws enacted- he must now choose to honor his loyalty to one of the embittered sides when the conflict returns to the battlefield…

Lt. John Dunbar is dubbed a hero after he accidentally leads Union troops to a victory during the Civil War. He requests a position on the western frontier, but finds it deserted. He soon finds out he is not alone, but meets a wolf he dubs “Two-socks” and a curious Indian tribe. Dunbar quickly makes friends with the tribe, and discovers a white woman who was raised by the Indians. He gradually earns the respect of these native people, and sheds his white-man’s ways.

Spring 1936. In the thick jungle of the South American continent, a renowned archeologist and expert on the occult is studying fragments of a map, when one of his exploration party pulls a gun. The archeologist pulls out a bullwhip and with such disarms the turncoat, sending him running - thus does Dr. Henry “Indiana” Jones stay alive. He and a guide enter a dank and oppressively vast cave that contains several traps created by the ancient race which hid inside a famous handheld statue; Indy barely escapes such traps but is cornered by native tribesmen served by Belloq, an old enemy who arrogantly makes off with the statue, while Indy must flee for his life and escape on a friend’s seaplane. Back in the US two agents from US Army intelligence tell him of Nazi German activities in archeology, including a gigantic excavation site in Egypt - a site that an intercepted cable indicates to Indy is the location of the Ark of the Covenant, the powerful chest bearing the Ten Commandments, that the Nazis can use to obliterate any enemy. Indy must recruit a former girlfriend (the daughter of his old professor) and an old chum in Cairo to infiltrate the Nazi site and make off with the Ark, but along the way Indy gets involved in a series of fights, chases, and traps, before the Nazis learn the full power of the Ark.

In 1936, the expatriated young and naive just-graduated British John Truscott (Hugh Dancy) arrives to the Sarawak, a British colony, to work in the Iban society. The beautiful Selima (Jessica Alba) is assigned to be his “sleeping dictionary”, to live and sleep with him and teach him the language and habits of the locals. The reluctant John and Selima fall in love for each other in a forbidden romance.