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The group of best friends from their days back at East Great Falls High reunite for the next great sexual adventure in their lives… a wedding with Stifler orchestrating the correlating social event… the bachelor party.

Frequently cynical screenwriter Charlie Kaufman has just taken on a new assignment. That is, to adapt writer Susan Orlean’s “The Orchid Thief” into a screenplay, all of it based on the life of the eccentric John Laroche, an exotic plant collector based out of Florida. While his easygoing twin brother Donald, is writing scripts with ease, Charlie finds himself on a perpetual struggle that never seems to end.

Faber College has one frat house so disreputable it will take anyone. It has a second one full of white, anglo-saxon, rich young men who are so sanctimonious no one can stand them except Dean Wormer. The dean enlists the help of the second frat to get the boys of Delta House off campus. This film gives high-jinks and fooling around a bad name. P The dean’s plan comes into play just before the homecoming parade to end all parades for all time.

Epic tale of a group of Jewish gangsters in New York, from childhood, through their glory years during prohibition, and their meeting again 35 years later.

Marty McFly is an aspiring musician, but he is not sure of what the future holds for him; first his band was rejected as the performing band for the school dance, and historically, no McFly has succeeded in anything. The only bright spots in his existence are his girlfriend and Emmett Brown, the town crackpot scientist, who is Marty’s good friend. Marty was helping brown with his latest invention a time machine, which is fitted into a Delorean. The time machine needs a tremendous amount of power to work, which he gets from plutonium. Now Brown got the plutonium from some Libyans who want him to build a bomb; they find Brown and shoot him, Marty gets into the Delorean and drives off and when he reaches the speed of 88 mph that activates the time machine, he finds himself in 1955, cause that was the date that Brown entered, which was when he first conceived the time machine. Now having already used up all the power of the plutonium, Marty must find a way to get it working, so he can go back to his own time. Marty looks for Brown but before he does, he runs into his father as a teenager, and accidentally interferes with his father’s first meeting of Lorraine, his future mother. Marty then goes to see Brown and convinces him that he is from the future and to help him. But when he learns of the amount of power that is needed to power the machine, he tells Marty that it’s hopeless cause the only other thing that can generate that much power is a bolt of lightning and it’s impossible to determine when and where they will strike, but Marty has with him an old newspaper cliping that states that the town clock tower will be struck by lightning, so they plan to draw the energy from the lightning so they can power the machine. But before they do, Marty must act as cupid for his parents cause it seems that because they never met they won’t fall in love and get married and Marty will not exist.

Andrew Largeman shuffled through life in a lithium-induced coma until his mother’s death inspired a vacation from the pills to see what might happen. A moderately successful TV actor living in Los Angeles, “Large” hasn’t been home to the Garden State in nine years. But even with 3,000 miles between them, he’s been unable to escape his domineering father Gideon and the silencing effect he’s had on his son from afar. Stunned to find himself in his hometown after such a long absence, Large finds old acquaintances around every corner living quite unique lives as gravediggers, fast food knights and the panderers of pyramid schemes. Meanwhile, at home, he does his best to avoid a long-simmering but inevitable confrontation with his father. By a twist of fate, Large meets Sam, a girl who is everything he isn’t. A blast of color, hope and quirks, Sam becomes a sidekick who refuses to ride in his sidecar. Her warmth and fearlessness give Large the courage to open his heart to the joy and pain of the infinite abyss that is life.

The mother (and father) of all Teen Sex Gross Out comedies is set in the 1950’s where there’s only one thing on the male sex’s mind. Well, sex to be correct. We have PEE WEE: the horny toad that is desperate to lose his virginity. TOMMY: the bad boy of the bunch. MEAT: tough jock whose nickname originates from his abnormally large body appendage. MICKEY: a wiseass redneck without a care in all the universe. BRIAN: the smart Jew. And TIM: the racist giving talents of his abusive father. Each one takes a trip to PORKY’S, it’s the most popular strip joint in Florida. But when they try to get in, they’re tricked and humiliated. Returning home, they vow revenge. Following crazy sex jokes like Ms. Balbrick’s famous “Pecker Pull” incident, to the ultimate return fire on a strip club, PORKY’S is and will remain the grandest of all teenage comedies.

This story takes place in a typical American neighborhood, when some new neighbors come to live in the house next to Ray Peterson. These new people are really strange; nobody has ever seen them, their house is a real mess, and during the night you can hear weird noises from their basement. The only thing they know is their name: Klopeks. One day Walter (an old man of the neighborhood) suddenly disappears and everyone starts to suspect the Klopeks…

Richard and Susan are a couple from San Diego, California who are vacationing in Morocco while their two children are at home with their Mexican housekeeper, Amelia. A rifle finds its way into the hands of a local herdsman’s young sons, who recklessly take a shot at a tour bus and hit Susan in the shoulder, causing her severe injury. The distraught Richard calls home to tell Amelia of the situation, who shortly departs for Mexico to attend her son’s wedding, with Richard and Susan’s children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with trouble at the Mexican border when she attempts to return to San Diego with Richard and Susan’s children. Meanwhile, in Tokyo, a widower tied to the rifle in question, a complex shift of ownership to which the audience is privy, attempts to deal with the memories of his recently deceased wife and his strained relationship with his deaf teenage daughter.