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After having her father and perverse stepmother killed by the cenobites, Kirsty Cotton (Ashley Lawrence) is sent to a psychiatric hospital. Even after trying to convince the authorities of what really happened with her family, nobody believes in her version of the history and they decide to place her in the institute, so that she rests and relaxes a little bit. The hospital is commanded by a brilliant and strange psychiatrist, Dr. Channard (Kenneth Cranham), who has been looking for the key for another dimension for a long time. The only person who believes in Kirsty is a young and kind assistant of Dr. Channard, called Kyle MacRae (William Hope). Following Kirsty’s version of the story, Channard put his hands on the bloodstained mattress where her stepmother Júlia (Clare Higgins, from the first Hellraiser) died, Channard decides to resurrect her, killing his patients and offering them as food for Júlia. She returns without skin, and she decides to help Channard to bring the forces of the evil, but the plans of the two will be disturbed by Kirsty, who wants to end at once with the cenobites, and for Kyle, who doesn’t want to see Kirsty being hurt…

Clive Barker’s feature directing debut graphically depicts the tale of a man and wife who move into an old house and discover a hideous creature - the man’s half-brother, who is also the woman’s former lover - hiding upstairs. Having lost his earthly body to a trio of S&M demons, the Cenobites, he is brought back into existence by a drop of blood on the floor. He soon forces his former mistress to bring him his necessary human sacrifices to complete his body… but the Cenobites won’t be happy about this.

A man living in rural Wisconsin takes care of his bed-ridden mother, who is very domineering and teaches him that all women are evil. After she dies he misses her, so a year later he digs her up and takes her home. He learns about taxidermy and begins robbing graves to get materials to patch her up, and inevitably begins looking for fresher sources of materials. Based closely on the true story of Ed Gein.