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Doctor Dolittle is a world-renowned veterinarian who speaks a wide array of animal languages. He sets off from his home in Puddleby-on-the-Marsh, England, in search of the Great Pink Sea Snail. In so doing, he and his friends meet such exotic creatures as the Pushme-Pullyu and the Giant Moon Moth. This musical is the source of the hit song, “If I Could Talk To The Animals.”

Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.

There is a serial killer on the loose, Karen White is the only reporter he communicates with. After a near fatal encounter with him at a Pussycat Theater, she is ordered to take a vacation. Eddie was killed by Police, but Karen doesn’t want to let it go and discovers that he came from a tiny community in the woods and that’s where she decides to vacation with boyfriend Chris. Big mistake, because Eddie was an outcast of a pack of Werewolves who is trying to keep a low profile and doesn’t want any interviews. Can Karen and Chris escape the village of the wolf?

In Welville, at Battle Creek, eccentric rich Dr. John Harvey Kellogg (a historical figure) runs a stylish health farm for the wealthy, an idea ahead of his time, based on extreme vegetarianism, neither sex, masturbation or even sensual stimulation, but laughing therapy and purging the ‘polluted’ body, mainly by exercises, often in open air, vicious diet, his invention corn flakes, laxatives, anal yogurt cure, enemas and brutal mechanical cleansing. Eleanor Lightbody drags her sickly, incredulous husband Will along to the therapy; the couple is almost immediately separated and getting horny for more available members of the opposite sex. Kellogs stubbornly willful adopted son (among over 30 kids) George is a filthy embarrassment, paid off just to stay away. Charles Ossining panics when arriving in Battle Creek he finds his aunt’s fortune made him partner in the empty shell- health food company Per-fo, not the planned corn-flakes factory; however with a former Welville-employee and George’s name they hope to get rich from their own cornflakes brand. When an electric therapy goes fatally wrong and several other patients die, Will’s incredulous reluctance turns to panic…

Igby Slocumb, a rebellious and sarcastic seventeen year-old boy, is at war with the oppressive world of his East Coast “old money” family. With a schizophrenic father, a self-absorbed, distant mother, and a shark-like young Republican big brother, Igby figures there must be a better life out there, and he sets out to find it. After happily flunking out of several Prep Schools, Igby escapes into the bohemian underworld of Manhattan. His darkly comic trip—shared by a deviant cast of characters, including his terminally bored, part-time lover Sookie, his Godfather’s trophy mistress Rachel, and smack-dealing performance artists Russel—veers from bizarre to tragic in Igby’s ultimately noble attempt to keep himself from “going down.”

Will Freeman is a hip Londoner who one day realizes that his friends are all involved with the responsibilities of married life and that leaves him alone in the cold. Passing himself as a single father, he starts to meet a string of single mums, confident in his ability to leave them behind when they start to ask for a commitment. But Will’s hope of a continued bachelorhood is interrupted when he meets 12-year old Marcus, in many ways his complete opposite.

11-year-old Eliza Naumann comes from an odd family; they all divert their emotional frustrations into secret channels. When Eliza unexpectedly begins winning spelling bees, what had been a stable dynamic within the family becomes disrupted; long held secrets emerge, and a latent spiritual yearning is awakened in her withdrawn father Saul and compulsive mother Miriam. As Eliza moves closer and closer to the national spelling bee, the Naumann family finds itself in a spiral of surprising discovery and jarring uncertainty…

Toula Portokalos is 30, Greek, and works in her family’s restaurant, Dancing Zorba’s, in Chicago. All her father Gus wants is for her to get married to a nice Greek boy. But Toula is looking for more in life. Her mother convinces Gus to let her take some computer classes at college (making him think it’s his idea). With those classes under her belt, she then takes over her aunt’s travel agency (again making her father think it’s his idea). She meets Ian Miller, a high school English teacher, WASP, and dreamboat she had made a fool of herself over at the restaurant; they date secretly for a while before her family finds out. Her father is livid over her dating a non-Greek. He has to learn to accept Ian; Ian has to learn to accept Toula’s huge family, and Toula has to learn to accept herself.

A THOUSAND ACRES is a drama about an American family who meets with tragedy on their land. It is the story of a father, his daughters, and their husbands, and their passion to subdue the history of their land and its stories.

The sea underworld is shaken up when the son of the shark mob boss is found dead and a young fish named Oscar is found at the scene. Being a bottom feeder, Oscar takes advantage of the situation and makes himself look like he killed the finned mobster. Oscar soon comes to realize that his claim may have serious consequences.